Weather Machine

I think the evocation of memory in our music could be seen as the residue of imaginary time travel. You can either go forward or back. You go back in order to change something in the now, to redesign the course of events for personal reasons. When you go back to a previous musical time you’re trying to recall a memory that never happened to you, that is not stored, so it would make sense that you hear a fuzzy dissolving sense of time and place as you call it.

Trish Keenan, from a Wire interview with Broadcast.

(via tomewing)

(via pitchfork)